Tales of College Art Critiques: “Well Maybe That’s Because I’m Black.”

Before I get to the good stuff, let me first express my love and adoration for printmaking. This was the first semester that I was able to branch out from the required core courses and start picking an area of focus for my major. It’s incredibly fun, allows me to work at my beloved passive-agressively small sizes, and it’s the closest I’m going to get to a durr-hurr-hurr “drawing” major. It’s not so much the print-your-own-holiday-cards/scrapbooking BS as much as it is “I can make multiple prints and essentially PRINT MONEY~!”
It also means that I can now make pictures small enough to scan! Y-yay…?
This is the first intaglio print I’ve ever done, drawn straight onto the plate. I based the image on the story of Cúchulainn and Scathach b-because I got really into that kind of crap thanks to Shin Megami Tensei: Nocturne… DON’T JUDGE ME. Coo Coo Cachoo looks totally off (what long flowing man hair?) and the spear looks more like a glorified toothpick, but I tried to squeeze in as much as I could on that 5″x6″ plate. For the record, Scathach’s cray-cray anatomy was completely on purpose as I want to have a deep and passionate affair with Mannerism. Oh long, slender, curvy frames and nonsensical anatomy and perspective, where have you been all my life? ♥
Here’s a lager/detailed version of the header. The scanner did some crazy things to the color as I had left on a lot of plate tone for this particular edition of the print. The registration is also terribly off because I hate doing bordered stuff with a burning passion. Here’s what the editions are supposed to look like in all of their black and white glory.

Printmaking is also great because I actually somewhat like what I make in that class.
What, WHAT?
Granted, I still have negligible confidence in my “art” and abilities, but not being completely by what I create is certainly a start. Who knows? In a few years I may actually willingly participate in critiques. Ooh, let’s not get ahead of ourselves there, old girl.
Also, if you want to, uh, take one of these prints off my hands, don’t hesitate to ask. I made about 12 and already gave away 2 to friends.
And now, back to our regularly scheduled Tales of College Art Critiques…
My two art courses this semester (Figure Drawing and Intro to Printmaking) have been surprisingly devoid of vomit-inducing pretension.
Okay, there was one instance but the chick involved got shot down in such a glorious manner that it makes it all okay.
Figure drawing has been an overwhelming disappointment; we’ve only had one female model–one model. The TA had to supplement this staggering FAILURE by making us do crappy exercises involving stuff like drawing our own face really, really big (hahaha because I just LOVE my own face and drawing ludicrously huge) and drawing our hands… really, really big.
Critique rolls around, everyone tacks up their hands, and the magic begins.
The chick responsible for numerous eye-rolls and the strong desire to eviscerate myself this time is someone I shall dub “Artist With a Capital ‘A’.”
Capital “A” was in my 2D Fundamentals class when I first enrolled in the university and was insufferable back then. She’d string together art terms that she didn’t fully comprehend and spew out the most bizarre and poetic bullshit I have ever had the pleasure of listening to. At one point she even busted out a Bob Ross fanned brush and immediately lost any morsel of credibility she had accumulated in her entire life and managed to stun the Professor and his TA for a good while afterwards due to her sheer Idiocy. All in all, just a generally annoying individual and difficult to deal with.
Anyway, the critique goes down and the TA goes around pointing to the various drawings and asking the class to say whatever came to mind, and, oh, did she have some things to say.
Capital “A” graciously offered her nuggets of wisdom for each and every picture until we reached the picture that would ultimately lead to her undoing.
The TA asked the class which pictures weren’t as successful as the others. Capital “A” pointed to mine and another person’s. She remarked, “Well that one is much too light [in regards to mine], and the other one is too dark.”
Without missing a beat, the owner of the other picture turned to her, completely deadpan, and exclaimed “Well maybe that’s because I’m black.”
At that point, two most wonderous things happened. Capital “A” went completely numb with embarrassment and, probably, the sudden realization that she was, in fact, a tremendously huge tool. The class also erupted into a fit of impish glee and I fought down the temptation to tear my shirt off and bust out the Mayan war cries of “GOTCHA, BITCH, GOTCHA!”
All in all, a very uneventful semester in terms of making me sad and angry to be an artist. Oh sure, in printmaking a lot of people have incorporated copyrighted characters into their work, but that’s perfectly acceptable due to the nature of printmaking itself.
Another day, another day.
Stay tuned in for next time. I’m taking Hypermedia (aka making arts on the pooter) next semester, so I’m sure we’ll have a few winners in there.


